Amen, Andrea! And I’ll bet that people come up to Lorna (as they do to any artist) and say, sweetly ignorant, “What kind of camera do you use?” As if it was all in the camera, where it’s really all in the artist’s composing eye. It takes a particular sensibility to make pictures like this — of objects so familiar that we take them for granted — new and vivid and moving. More!
(Did they ask Kandinsky where he bought his paints? I wouldn’t be surprised.)